Modern Art Gallery
日常的餘白，在繪畫與雕塑之間緩慢展開。
展覽邀請觀者暫緩步伐，重新注視經常被我們忽略的角落，
感受其中蘊藏的空間、記憶與情感。
On View
《角落裡的慢時區》以日常生活為起點，透過繪畫與雕塑探索觀看與感受的關係。 熟悉的景物與人物，在藝術家反覆描繪與轉化中悄然偏移，讓觀者從辨識外在形象， 轉向感知內在經驗。
A Corner, A World takes daily life as its point of departure, exploring the interplay between seeing and sensing through painting and sculpture. Through the artists' repetitive rendering and transformation, familiar scenes and figures quietly shift, guiding the viewer from the recognition of external forms toward the perception of inner experience.
Curatorial Text
那些不在視線中心的角落，承接光影與時間的停留，也收納記憶，
使「房子」的每一隅皆成為情感與夢境的棲居之地。
Corners tucked away from the focal point catch the lingering play of light and shadow, cradling memories and turning every nook of a "house" into a sanctuary for emotions and dreams.
「慢時區」在此生成——它並非具體存在的時間段，而是一種回到自身感受的狀態，
使觀看從外在世界轉向內在體驗。
Here, a "Slow Time Zone" emerges—not as a specific duration, but as a return to one’s own state of perception, shifting the act of viewing from the external world to an internal encounter.
在這樣的時間感裡，藝術家分別透過不同創作路徑展開觀看的可能性。
佐藤公聰以花瓶與靜物為主題，營造靜謐且帶有記憶感的畫面，捕捉停留的片刻時光；
李加兆以日常片段為創作出發，使畫面貼近身體經驗，看見生活裡微小而易被遺忘的瞬間。
陳哲則以抒情富想像的視覺語言鬆動畫面秩序，使色彩帶動情緒節奏，
形成介於現實與內在之間的張力。
Within this sense of time, each artist unfolds possibilities of seeing through distinct paths. Koso Sato captures suspended moments through still lifes and vases, evoking a quiet sense of nostalgia. Karsiu Lee draws from daily fragments and bodily experiences, rendering moments that are minute yet easily forgotten. CHEN Che employs a lyrical and imaginative visual language to loosen the order of the canvas, allowing color to drive emotional rhythms and create a tension between reality and the interior self.
施力仁的雕塑融合東方內斂精神與科幻想像，呈現穩定而堅韌的姿態；
作品中結合古文明元素，意味著犀牛穿越漫長時間，看見人類文明的形成與變化，
使觀看的視野從日常延伸至更長遠的時間尺度，
為《角落裡的慢時區》增添另一種關於時間厚度的想像。
SHIH Li-Jen’s sculptures merge Eastern restraint with futuristic imagination, presenting a stance of stability and resilience. By incorporating elements of ancient civilizations, his rhinoceros figures traverse vast timelines, witnessing the evolution of human history. This expands the horizon of viewing from the everyday to a macro-scale of time, adding a profound layer of historical thickness to the exhibition.
作品呈現由現實、記憶與感受交織構成的觀看經驗。
在快速流動的日常之中，《角落裡的慢時區》邀請觀者放慢腳步，
重新凝視那些被忽略的角落，並在其中找回日常的餘白。
The works constitute a viewing experience woven from reality, memory, and sensation. In the rapid currents of daily life, A Corner, A World invites us to slow our pace, to gaze once more at the neglected corners, and to find, within them, the margins of our own existence.
Featured Positions
在這裡，日常是被重新顯影的餘白。
視線越過瑣碎的現世，或停留在靜物的止水深處，或棲居於室內的轉角微光。多重感知路徑，多重對時間的挽留。
The gaze wanders past the trivialities of the world, lingering in the still waters of a vase or nesting in the dim light of an interior corner. Multiple paths of perception; multiple ways to hold back time.
瓶花與器物在無聲的房間裡，成為捕捉光的容器。
記憶隨色彩緩慢沉澱，不見光影劇烈晃動，唯有歲月在秩序中凝鍊出的靜謐。
觀看他的畫作，如同在喧囂中推開一扇通往留白的門，任由片刻在窗台顯影。
Vases and flowers in a silent room become vessels for capturing light. Memory settles slowly with color; there is no dramatic flickering of shadow, only the profound stillness found within the order of years. To view his work is to open a door to a meditative void, allowing a single moment to develop upon the windowsill.
視界貼合身體的呼吸，在室內轉角處與空間交疊。
縝密的結構收攏了生活的支離破碎，將日常殘片凝為具心理厚度的視覺敘事。
平凡瞬間在此不再稍縱即逝，而是在畫布上留下了溫度與重量，守候著那些幽微、卻深刻存在的感官覺察。
The vision grazes the rhythm of breath, overlapping with space in the quiet turns of a room. A meticulous structure gathers the fragments of a scattered life, condensing daily remnants into a visual narrative of psychological depth. Here, the mundane is no longer fleeting; it leaves behind warmth and weight on the canvas, guarding the subtle yet profound sensations of being.
律動的筆觸鬆動了現實界線，讓色彩脫離物象，化作情緒流動的火光。
在夢境與覺察的縫隙間，構築出一片介於詩性與張力之間的內在風景。觀者的視線隨色彩起伏，穿過日常的雜蕪，抵達心靈最純粹的荒原。
Rhythmic brushstrokes loosen the boundaries of reality, allowing color to detach from form and ignite like the fires of emotion. Within the gaps between dreams and awareness, he constructs an inner landscape of poetry and tension. The viewer's gaze rises and falls with the hues, traversing the clutter of the everyday to reach the pure wilderness of the soul.
極致寫實，使瞬時凝為定格。
視線在肌理與色彩間漫步，於微小毫釐處，觸及被日常稀釋的官能。
凝視不再匆忙，而是在靜止的畫面中，重拾生命最真切的溫度。
Extreme realism brings the instantaneous to a standstill. The gaze wanders through texture and hue, touching upon sensations diluted by the everyday within the smallest of details. Viewing is no longer hurried; instead, within the suspended frame, one recovers the truest temperature of life.
犀牛緩步，跨越千年的荒涼與繁華。
金屬與彩鈦在冷凝中吐納，將日常的「慢時區」拉伸至宏觀的生命尺度。雕塑不再只是物件，而是時光的見證者，在定靜的姿態中，訴說著文明的韌性與永恆。
A rhinoceros treads softly, spanning thousands of years of desolation and prosperity. Metal and titanium breathe in the cold air, stretching the "slow time" of the everyday toward a macro-scale of existence. The sculpture is no longer a mere object but a witness to time, speaking of the resilience and eternity of civilization through its silent stance.
Participating Artists
本次聯展匯集繪畫與雕塑作品，從靜物、人物、自然景象、抽象色域到具象與象徵性的雕塑語彙，
共同構成一個介於日常、記憶與想像之間的觀看場域。
Eschewing a singular path, paintings and sculptures are placed in organic dialogue. The space is not merely a backdrop for display, but a rhythm that guides the eye, inviting you to wander and linger freely.
Installation Views
捨棄單一的觀看動線，展場中的繪畫與雕塑錯落相伴。空間不僅是陳列的背景，更化為引導視線的節奏，邀請您在此自由穿梭、停留。
Breaking away from a singular route, paintings and sculptures organically accompany one another. The space itself transforms into a rhythm that guides the gaze, inviting you to seamlessly explore and pause.
Visitor Information
展覽名稱｜《角落裡的慢時區》A Corner, A World
參展藝術家｜王為銧、陳哲、陳昭宏、佐藤公聰、李加兆、黃楫、施力仁、
瞿倩梅、王文平、林金標、金大南（Juan-Carlos Quintana）、
宋薩克（Somsak Chaituch）、姜淼
展覽地點｜現代畫廊
展覽時間｜2026/5/23–6/28
Exhibition｜A Corner, A World
Artists｜WANG Wei-Guang, CHEN Che, Hilo CHEN, Koso Sato, Karsiu LEE,
HUANG Jyi, SHIH Li-Jen, QU Qianmei, WANG Wen-Ping, LIN Chin-Piao,
Juan-Carlos Quintana, Somsak Chaituch, JIANG Miao
Venue｜Modern Art Gallery
Dates｜May 23 – June 28, 2026