About 關於現代畫廊

現代畫廊成立於 1982 年，立基台灣，以展覽策劃與公共藝術實踐為核心工作，並在展覽空間與城市場域之間持續推動藝術的流動與落地。
自成立以來，畫廊一方面引介西方重要藝術家的展覽——羅丹、雷諾瓦、達利、賽薩、伊其理、阿曼——使國際藝術在台灣被真實觀看與理解；另一方面亦策劃常玉、朱德群、趙無極等華人藝術家於亞洲展覽，促成作品在不同城市與文化之間的交流。
公共藝術的實作可追溯至 1993 年。當年畫廊籌畫全國高爾夫球場之楊英風景觀雕塑，確立作品與場域、尺度與時間共同成立的工作方向。此後畫廊持續投入公共雕塑與大型藝術計畫，與建築、機構與城市環境協作，讓藝術不止於展示，更能在公共生活與地景尺度之間，長久被觀看、被使用、被記得。

Founded in 1982 and based in Taiwan, Modern Art Gallery centers its practice on exhibition-making and long-term engagement with public art, sustaining the circulation and realization of art across both gallery settings and urban contexts.
Since its founding, the gallery has introduced major Western artists—Rodin, Renoir, Dalí, César, Hiquily, and Arman (ordered by year of birth)—to Taiwanese audiences, while also presenting key Chinese artists such as Sanyu, Chu Teh-Chun, and Zao Wou-Ki in exhibitions across Asia, fostering cultural exchange between cities and regions.
The gallery’s public art practice can be traced back to 1993, when it planned Yu-Yu Yang (Yang Yingfeng)’s landscape sculpture project for National Golf Country Club, establishing a working approach in which artwork, site, scale, and time are conceived as a single, integrated whole. Modern Art Gallery continues to develop public sculpture and large-scale projects in collaboration with architecture, institutions, and urban environments—positioning art beyond display, for long-term encounter, use, and remembrance within the lived landscape.